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The Beauty of Beethoven

Went to the final SSO concert for the 07/08 season last Friday.

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Themed 'The Beauty of Beethoven', it was a gala concert featuring violinist Leila Josefowicz and conductor Maestro Eri Klas.

Repertoire:
  • The Creatures of Prometheus: Overture, Op.43
  • Violin Concerto in D Major, Op.61
  • Symphony No.7 in A Major, Op.92

Actually, I went for the symphony. I'm not sure whether it was because I was sitting a little far from the stage or it was the flaw in their performance, but I find that I enjoyed Brahm's Symphony No.1 in the previous concert much more than this Beethoven's 7th. The first movement was paced a little too slow for my liking. However, I liked the 2nd and 4th movements: the expression, dynamics and speed were just right.

The first song, The Creatures of Prometheus, was surprisingly enjoyable although a little short. Leila Josefowicz solo-ed the violin concerto, and throughout her performance, only 2 things roll in my head: technique and violin. Her technique was near-perfect and precise, thus every note was clearly and beautifully delivered. And Leila owns a damn good violin. When she played, the most beautiful sound rang in the concert hall. You can tell that is one very well made antique. Unfortunately, I didn't enjoy this piece too much, because I find it rather bland in expression and in true blue Beethoven style, the same pattern is repeated way too many times. Before long, I could almost tell when a passage is going to be repeated. However, Leila graciously obliged us an encore, where she played a series of high technique passages.

While it was a lovely concert, I didn't enjoy it as much probably because I was pretty tired from work. I had been up since early morning, and it was rather tiring after a long day.

This would probably be my last orchestra concert for some time. Living expenses had skyrocketed lately, and my student salary is taking a big hit, so I'll most likely lay off such luxuries for a while.

~みはる~

Liberation

Finally came the day, I was liberated from academic examinations for LIFE.

I passed all my coursework requirement for PhD candidature! Wai~~!

Merely passed the core module by the skin of my teeth though. If they had given me a B- instead of a B+, I would be whimpering in a corner right now.
And now, one Confirmation Seminar and another PhD oral defense, and I can kiss my student status goodbye... for LIFE.

~みはる~

Brutal FRUs

It's been a long time since my blood boiled this much.

A 21-year-old civilian was dragged out of his car, and beaten by Malaysian FRUs, the very same people we entrusted to keep law and order. Fellow Malaysians, watch this video and tell me, which part of the brutality does not resemble the Dark Ages???

I demand the entire team of the FRUs who so much as laid a fist on Chang be charged in court for abuse of authority and brutality.

~みはる~
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さいきん

最近、とても忙しかった。
仕事なんだがまったくおわらなそうだ。
毎晩どんどん遅くに帰って、すごく疲れました。

最近も、前よりびんぼになった。
なぜか生活費が高くなりました。
やばいは、あたしのかけい。

しっかりしなくちゃ。

~みはる~
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Here In My Home

In true Malaysian spirit, brought to you by Malaysian Artistes For Unity:


Here In My Home

A country of corrupted adminstration, monkey politics, hopeless education system, bahasa pasar, Manglish, tranquil kampungs, tropical beachsides, equatorial rainforests, warm people and damn good food - Here In My Home.

This is the true breed of Malaysians: we are color blind. And we walk together, for unity.

~みはる~
2

M200

I'm poorer by one-month's salary.

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Toshie, my new lappie.

Due to the demise of my old laptop, I had gone shopping for a new one, and ended up with a Toshiba M200. This one's got specs a little high for me, but will do for the next four years. The promotional package justified the price, but it still cost me dearly T_T And the Vista is so annoying.

But other than that, I'm glad to have a computer again. In my deprivation of a laptop I have come to realize what a Gen-X youth I have become. Not a good sign.

トシエ、これからよろしくね。

~みはる~
2

Hiatus

The surgeon in Acer just issued a death certificate to my 4-year-old laptop.

Will be away till I finished mourning over my cyber loss and get another replacement.
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The Stray Pet

Was on hiatus... and visiting the stray pet cat I adopted 5 months ago.

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Siren in rumination.

Siren, the stray kitten who sought salvation from my house last Christmas, is now a small helpless kitten no more. She has at least tripled in size, and even more in her darlingness. She loves hanging around my parents, who had been feeding her fishies and entertaining her affectionate meows. She even lent her paws helping Dad put up wire mesh at the front grills meant to prevent her from slinking into the house. How sweet.

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"I lent you my paws for a fish dinner in return. Meow."

All the time I was home, Siren often spend her entire day sleeping at various spots in our porch. In fact, she has found several favorite snuggle points, much to her hosts' chagrin. Her absolute favorite being the comfy IKEA sofa that was meant to be Mum's coffee spot. It had became, in Mum's words: "her first class seat".

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She battled her way into the 1st class suite despite the plastic hindrance.

Her other napping spots include under the shade of Mum's car and behind Sis's bicycle wheel. Grandma wasn't too please with her taking over the porch so Siren often got sprayed (with water) out of the porch by Grandma T_T

However Siren did spend a good load of time napping in our compound, so Sis stashed out the DSLR and started clicking away to capture the kitten cuteness before Siren becomes a fat grown cat.

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My favorite lazy-cat pose.

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Taking ownership of everything in the porch, even the clothes hanger.

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Act-cute pose.

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She yawns like a tiger cub.

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Weird cleaning position. Don't ask me where she cleaned.

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All rejuvenated after a freaking long nap on her makeshift 1st class suite.

While we are not a pet-keeping type of family, Siren nevertheless stole our attention with her affectionate meowings and kawaii-ness. She particularly loves being around Mum, don't know why, but when Mum's in the porch, she would roll on her belly on the floor, meowing affectionately, as if asking to play.

It is sad for her though, being all alone again after all her 4 siblings disappeared (died or kidnapped or eaten, we don't know). We just hope that she won't die an early cat death and will learn to live a long street life. Ganbatte, Siren.

~みはる~
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OCE

I'm suspecting myself of having an advanced stage of 'Obsessive compulsive examinomania (OCE)'.
It's a type of sickness characterized by endless (maniac maybe) pursuit for challenge and examinations, typically manifested by overstimulation of brain receptors for cognitive and limbic response to a steady-state condition termed 'examination'.

なんてね。

Don't know what got into me but in the span of a week, I committed myself to 2009 Violin ABRSM Grade 2 exam and 2008 JLPT (Pre-Advance) Level 2 exam. This is on top of my PhD confirmation exam at the end of this year.

And I'm here mimicking a pharmacist-wanna-be, memorizing a gazillion drug names for my Pharmacology exam the day after tomorrow.

But I haven't come across any drug for treatment of acute OCE. Anyone got a cure?

~みはる~

できた!

1000-piece puzzle in less than a week pieced by 2 crazy people (moi dragged her sister into the mania).

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A millennium-old sakura tree in Okayama-ken, Maniwa-shi.

I now look at tree branches in a different perspective.

~みはる~
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Leaked

Update edit:
Official word came that the airing will go on as per normal. And the leak was a technical+human error.

Some disgruntled staff leaked the last 6mins of Code Geass R2 third episode supposedly to be aired this weekend, so I heard. And rumors had it that CGR2 this week will stop broadcasting. And that the production company may want to rewrite the plot. And that we may not get to see the Lelouch/Zero-Rollo confrontation.

Bakayarou!!!!!!!

*runs off to a corner crying*

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This is how I feel

~みはる~
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Pocky

Pocky takes to new heights with this unique version:

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Rum & Raisin Pocky <3 <3

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Really, Japanese confectionery never fails to amaze me with their improvisation.

~みはる~
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Poetry Passion Power

I'm becoming an Esplanade Concert Hall regular.

Just after the SSO concert last week, I had the privilege of attending another concert, played by Yong Siew Toh Conservatory Orchestra last Wednesday. PB had a complimentary ticket to spare and graciously invited me to make full use of the ticket (Thank you PB!).

I haven't listened to other orchestras apart from SSO, so this is quite an eye opener. YSTCO is comprised mostly of the Conservatory's undergrads, and for that evening, they were conducted by Maestro Wang Ya-Hui. The theme for the concert was Poetry Passion Power.

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Repertoire:
  • Barber - Adagio for Strings Op.1
  • Korngold - Violin Concerto in D major Op. 35
  • Tchaikovsky - Symphony No.4 in F minor Op.36

I must say I was pleasantly surprised. I went in without high expectations, and came out thoroughly entertained. Maestro Wang was really good, and this was especially evident when they played Tchaikovsky's Symphony. It was very dynamic and expressive, at the same time, ended with much pomp and dignity. Korngold's Violin Concerto was led by soloist Qian Zhou, and it was quite a beautiful rendition. That said, I still prefer Tchaikovsky's Violin Concerto in D over Korngold's.

The audience was not as enthusiastic as last Friday's SSO's, and it seemed they gave pretty lukewarm response to what I deemed great performance. So it came to my surprise that the orchestra obliged us with encore TWICE. And SSO didn't oblige us any regardless the thunderous applause. Hmm.

In any case, I enjoyed the concert alot. My only complaint would be the players were not acutely sensitive to Maestro Wang's conducting. They could have done better. But it was good nonetheless.

Hopefully there'll be more enjoyable concerts to come!

~みはる~
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Virtuoso

Happened to come across this video.
One word.
WOW.



Itzhak Perlman takes my breath away.

~みはる~
2

Dvorak - Humoresque No.7

A stunning duet between the violin and the cello, played by Itzhak Perlman and Yo-yo Ma. This is the most beautiful rendition of Dvorak's Humoresque I've heard ever.



~みはる~
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待っていた。。。恋を

待ってたわよ。
白い恋人を。

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~みはる~
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スペシャルエー

I'm a sucker for bishies and Fukuyama Jun.

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Image is Random Curiosity's.

~みはる~
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コードギアス~反逆のルルーシュ~R2

きた きた~!
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コードギアス反逆のルルーシュ やっと戻ってきたわ!
すごくうれしかった。
久しぶりにルルーシュランペルージ役福山潤のすばらしい演技が楽しめるよ。
この第二回目のシリーズの初エピソードすごく盛り上がったと思います。
特に最後の時ルルーシュとシツに契約を付け替えて、「ルルーシュリブリタニアが命じる、貴様たちを死ぬ!」と言った時、何か先シリーズの初エピソードと同じような感じなっちゃった。。。すごくすごく盛り上がった。あたしの一番好きなシーンでした。
次のとても楽しみしてるよ。福山潤たちもね ^_^

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Lelouch Lamperouge is back with revenge.
Code Geass Lelouch of the Rebellion R2 is not to be missed. Why, it's worth just to sit in for half an hour of Fukuyama Jun's voice acting. My favourite seiyuu can Geass even better this round.

A 5-minute refresher of Code Geass Lelouch of the Rebellion.


Code Geass Lelouch of the Rebellion R2 trailer.


Images are Random Curiosity's.
Videos not mine either.
Visit Code Geass


~みはる~
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Code Geass Manga

I got new Code Geass Vol.4 manga!!!!

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A kick start to reviving the heat of Code Geass.
Bring on Code Geass R2!!!!

ps: While I'm a Lelouch fangirl, don't you think Schneizer looks seriously cool on the cover?

~みはる~
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In The Shadow of Beethoven

Finally, I get to listen to Brahms' Symphony #1 in C minor, LIVE!


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Last Friday, I towed Sis and WW to the concert hall for an evening of symphony orchestra. And I must say, apart from having a pain in the neck (from sitting too close to the stage), I'm so glad I went to this concert.

Repertoire:
  • Wagner - Tannhauser: Overture and Bacchanale (Paris version)
  • Brunch - Concerto for Clarinet and Viola in E minor
  • Brahms - Symphony No.1 in C minor

Maestro Claus Peter Flor conducted the concert and I'm very glad he did. Under his baton, I enjoyed every song rendered that night. The dynamics were incredibly flowing and simply beautiful.

I loved the graceful expression of Wagner's Tannhauser Overture. The harmony is so flowing, graceful and dynamic. I don't know how to put it in words, but it's like watching the entire opera with my ears. Also, I didn't expect to enjoy Brunch's Concerto for clarinet and viola so much. The melancholic duet between the viola and clarinet was simply marvelous. The pairing of the instruments is simply appropriate and the hollow alto sound alternated between melancholy and gentleness so sweet I could actually see imaginary maple leaves falling in an autumn sky. It was simply the loveliest music I've heard from these two not-so-high-profile instruments.

Of course, my ultimate enjoyment of the night was Brahms' First Symphony, also famously called Beethoven's Tenth. Maestro Flor conducted without a score and his interpretation of the symphony was more dynamic than the recordings I've heard so far. The first and final movements were fast and ferocious, whereas the second and third movements were gentle, sweet and graceful. I was trembling in resonance (I was like 3 rows away from the stage) when the final movement was played with such ferocity. Thoroughly, completely enjoyed every bar of it.

I'm so so so so happy I decided to go for this concert. And I hope the next one will be just as exciting!

~みはる~
2

時をかける少女

もし時をかければ、あなたはどうする?


何が変えていきたい?何が変えていきたくない?
誰が向かっていきたい?誰が向かっていきたくない?
何の話をしていきたい?何の話をしていきたくない?
どんな事をやりたい?どんな事をやりたくない?

時をかければ、日々で選んだせんたくを何にひとつ変えて欲しい?
なのに、変わったらいいでしょうか。変わらなかったらいいでしょうか。

大切な思いは何ですか。
忘れたい、忘れたくない気持ちは何ですか。


時をかければ、過去を変える?
時をかければ、現在を変える?
時をかければ、未来を変える?

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時をかける少女
-The Girl Who Leapt Through Time-


If you could leap through time, what would you do?

I haven't watched too many anime movies, and while I'd safely say at anytime I would prefer animation series over one-time movies, there are certain works which I find fascinating and entertaining. It's as if they take you to the forbidden world of fantasy that only exists in the realm of imagination (think Totoro, Howl's Moving Castle, Byousoku 5 cm). These films give me a surreal feeling.

Until I watched 「時をかける少女」 (The Girl Who Leapt Through Time) that is. Madhouse Animation Studios scored with this piece of production because it delivered what the previous movies I watched didn't: it engaged the audience.

時をかける少女, also affectionately known as TokiKake, is a very simple, straight-forward yet thought-provoking story. It tells about a bubbly and naive high school girl, Konno Makoto, who by accident, gained the ability to leap through time. Once she realized how to use her new time-reversing/forwarding abilities, Makoto didn't hesitate to use it to her advantage on routine things, such as leaping back again and again so that she could do better in her quiz, or to have unlimited karaoke sessions, or to set up her good friend Kousuke with his fangirl. However, when faced with a situation she would rather avoid, such as when her best friend Mamiya Chiaki confessed he liked her, Makoto used her time-leaping power to wield her out of facing the circumstances. In other words, she is manipulating her ability to avoid problems, which consequently produces messier problems. At one point of time, Makoto realized the number of times she could leap through time is limited, and in a turn of events, she used her last jump to reset time back to the point before she gained the ability to time-leap in order to rescue the existence of Chiaki, whom she came to accept and reciprocate his feelings for her.

I'm not keen to review the entire movie here, because I feel that you have to watch it to feel the impact. While the movie didn't seem to have any extraordinary appeal (animation designs are simple and plain, no stupendous visual effects), the slice-of-life feel delivered by the movie is incredibly real. I find myself relating to Makoto; it's like you can understand her honest emotions and straight-forward thinking. Her character is very well-written because it engages the audience.

For instance, it makes you think: What would you do if you gained the ability to leap through time at your own liberty?

  • Would you use it to leap back to yesterday, so that you would wake up on time and not miss the bus, which had led to your being late for meeting?
  • Would you use it to leap back to several hours earlier, so that you would be in the queue for the last ticket to the concert you were dying to attend?
  • Would you use it to leap back a few seconds earlier, so that you would take a different turn and prevented the traffic accident led to your premature death?
  • Would you use it to leap forward a few seconds later, so that you will avoid the pressure of replying the confessions of your best friend?
  • Would you use it to leap forward to tomorrow, so that you will not have to face the pain of losing someone or something important to you?

To me, the writers are trying to convey the message that everything in life, the good and the bad, we need to face them. We cannot run away from them, deny them, or refuse to take them at face value, because regardless how joyful or painful they are, it is everything in life that we experience everyday that will shape us and help us grow. The joy and the pain will make up the precious memories that give meaning to our existence. The people that we meet, the things that we do in company, the sadness that drowns us, the happiness that lifts us, the anger that rips us, the warmth that envelopes us... we just have to accept all the things life have to give us.

It didn't take a complicated plot, or elaborate designs, or sophisticated music to captivate me in TokiKake. All it had was a simple story, a flowing story-telling, a gentle combination of subtle color scenes, a line of expressive voice actors and straight-forward direction. And with these, TokiKake had me overflowing with emotions. It didn't need to fly me to the forbidden realm of fantasy to captivate my interest. I'm already taken by the simplicity and honest reality portrayed.

Seriously, everyone should watch TokiKake at least once.
If you are to watch an animation movie, it can only be 時をかける少女.

「千昭: 未来で待って。
 真琴: うん。すぐいく。走っていく。」


Here's the trailer from Kadokawa.




~みはる~
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The Corpse Bride

When this movie was released (like ages ago), I had wanted very much to watch it. The morbid theme had seemed so appealing to me (yes, I'm terribly morbid). But unfortunately, for whatever reasons I cannot recall, I never managed to make it to the cinema to watch it.

And I must say, that is one of the greatest miss in my entire cinema-life.

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Tim Burton's The Corpse Bride, can only be appropriately termed ' a piece of genius'. Because, it is.

I finally get to view this piece of genius when I came across the DVD in the campus media library. While I wouldn't credit the plot as brilliant, I am awed by the concept and creative production. The stop-motion animation augments the dark theme and it is so well done I couldn't believe my eyes. The animators were actually puppeteering; it wasn't the CG-technology-whatnot, it was puppeteering and the effect they produced is, at least to me, astounding.

The concept of 'upstairs' (world of living) and 'downstairs' (world of dead) is also pretty amusing. And oh, the dark humor, of downstairs being far more colorful and lively than upstairs.

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Victor trying to pacify Emily by initiating the piano duet.

As always, I have a keen interest in the soundtrack of the movies I watch. This is no different. I love Danny Elfman's use of Victor's theme, repeated and varied at different but significant moments in the story. Particularly, I loved the piano renditions in the movie, "Victor's Solo" and "The Piano Duet" by Victor and (our lovely corpse) Emily.

I have much praises for this production, except one complaint that the plot is rather wan. I mean, it is so convenient to give Victor and Victoria a happy ending (well, ALL stories prefer happy endings). I wondered if it would be more exciting if Victor had drank the poison and died, thus becoming legally married to Emily, the corpse. However, they managed to cook up a pretty lovely ending, and it pulled my heartstrings when Emily blessed the young (living) couple and herself finally released from the pain that had chained her to the living world.

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Victor finally said his vows right.

I liked the movie so much, I actually hunted for the DVD. Now I can keep this piece of genius in my shelf for re-runs ^_^

~みはる~

Disclaimer: Images are not mine.
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Political tsunami

Still on the political note, I find these commentaries, by some of editors I deem eloquent, interesting.

~~~*~*~*~~~

Winds of change sweep Malaysia

Comment by Wong Chun Wai

THE first sign of a massive setback for the Barisan Nasional came at around 6pm. Incumbent Lembah Pantai MP Datuk Seri Shahrizat Abdul Jalil sent an SMS to say that she was going to lose her seat to her Parti Keadilan Rakyat challenger Nurul Izzah Anwar.

The ballots that were coming in did not look good.

The Women, Family and Community Development Minister said she had tried her best but gave an assurance that she was calm.

From Penang, my colleagues sent messages that Gerakan acting president Tan Sri Dr Koh Tsu Koon was trailing newcomer Dr P. Ramasamy in the Batu Kawan parliamentary seat.

The Gerakan, MCA and MIC were all wiped out, they said.

It became clear by 9pm that the Opposition had snatched the state from the Barisan, sending shockwaves throughout the country as Malaysians braced for more shocks.

In Sungai Siput, MIC president Datuk Seri S. Samy Vellu put on a brave front as feedback came from his supporters that he had lost his parliamentary seat.

He told them he was going home for a bath and did not return.

In the words of many politicians, it was a political tsunami.

There was more, Kedah also fell to the Opposition, then Selangor and Perak.

The wounds inflicted by the Opposition were easily the worst for the Barisan.

Even in 1969, the then Alliance only lost Penang and Kelantan.

In Penang, the then opposition Gerakan, together with DAP and Parti Rakyat, won 20 seats against the Alliance’s four.

In Kelantan, PAS had 19 and the Alliance 19.

The People’s Progressive Party could have formed the state government if it had decided to forge a coalition with Gerakan, PAS and the DAP but the PPP refused.

The PPP was just two seats short of forming the government but it refused to work with Gerakan, DAP and PAS.

Even in that onslaught, Kedah remained safely in the hands of the Alliance with 14 seats against PAS’ eight and Gerakan’s two.

Last night’s results stunned Barisan leaders and the media.

They expected the winds of change to come to Penang and Kedah but they missed out on Selangor, certainly the jewel in the crown for the Opposition this time around.

Barisan had focused its attention on the anti-establishment sentiments of the non-Malays but overlooked the mood of the Malay voters in some states.

There was even a sense of denial in some ways.

For Barisan, they had expected some dents in the predominantly Chinese areas and a serious challenge from PAS in the east coast states but certainly not in Selangor and Perak.

While the non-Malays had their share of unhappiness, there were issues that cut across all races such as the cost of living, corruption, mismanagement and security.

At the grassroots level, there were perceptions that Barisan, following the massive win in the 2004 polls, had become too strong and that there was a need for a strong check and balance.

In 2004, the Barisan had 198 seats against 21 for the Opposition.

The voters, especially those in the urban areas, obviously wanted to send a strong message to the leadership.

They wanted their MPs to be more humble and certainly more careful with their choice of words, whether at their party assemblies or in Parliament.

But there is a big mess to be cleared – new state governments will be formed in Penang, Selangor, Kedah and Perak.

As at press time, PKR secretary-general Tan Sri Abdul Khalid Ibrahim is expected to be made the new Selangor Mentri Besar and almost likely, his predecessor Datuk Seri Dr Mohd Khir Toyo, the opposition leader.

In Penang, DAP secretary-general Lim Guan Eng will likely be the new Chief Minister.

But federal-state relations will never be the same again.

With the Barisan still in control of the Federal Government, it may even review its numerous projects in states lost to the Opposition.

As the most industrialised state in Malaysia, Selangor will be affected in many ways.

At local government level, there will be massive changes as politically-appointed councillors will have to make way.

At 12.30am, the Barisan had secured a simple majority to form the government although there were neck-and-neck races in many seats.

At the end of the day, however, the clear winner was the democratic system in Malaysia.

Despite claims to the contrary, the 12th general election proved that democracy was very much alive in the country.

~~~*~*~*~~~

Results leave Penang in a daze

Analysis by Joceline Tan

THE superstitious would say that the darkened skies and torrential downpour in Penang about an hour before the close of polling was an omen of things to come.

Like elsewhere, the poor voter turnout had Barisan Nasional politicians really worried.

At about 7pm, the calls started coming in. It was not good news for Barisan, whose candidates in the Chinese seats were trailing their DAP and PKR opponents in a string of seats. It was the sort of news that induces goose pimples.

As the night progressed, it looked like the opposition wind in Penang had turned into a roaring typhoon.

The three opposition parties – DAP, PKR and PAS – had won a clear majority to form the state government.

Gerakan, MCA and MIC candidates had not made it in any of the parliamentary or state seats they had contested.

Gerakan lost all 13 state and four parliamentary seats, MCA lost 10 state and four parliamentary seats and the MIC, two state seats.

PKR had also made inroads into Umno and Gerakan seats, taking four parliamentary and nine state seats.

One Barisan politician described it as “a political tsunami with few survivors”.

Perhaps the most shocking news was the defeat of outgoing Chief Minister Tan Sri Dr Koh Tsu Koon in the Batu Kawan parliamentary seat. Just hours earlier, his operations centre staff had confidently predicted a 7,000-vote majority for him.

In fact, the national Gerakan leadership had been defeated. Apart from acting Gerakan president Dr Koh, the other casualties were vice-president Datuk Dr Teng Hock Nan, secretary-general Datuk Seri Chia Kwang Chye and its top central committee member Datuk Lee Kah Choon.

These were stunning results that no one, not even those in the Opposition, had expected or imagined.

It is possible the DAP, which had made Penang its frontline state, was in as much shock as Barisan about the results.

The Chinese had translated their political disenchantment into votes and Malay votes had swung in a number of parts to PKR.

It was well known that the Chinese were not happy, but the Malay vote swing towards the opposition was not something that Umno leaders had expected.

There had been rumblings on the Malay ground because they are greatly affected by cost-of-living issues but few thought they would cast their votes elsewhere.

Dr Koh, who will probably have to do the bulk of explaining in the aftermath, had admitted a few days ago that Barisan could lose between 10 and 15 seats.

For several days before polling, Gerakan leaders had been talking about the ground being too quiet for comfort. They were disconcerted by the silence and their view was that people had decided whom they were voting for.

Some of them even felt that voters had “switched off” and were no longer listening because they had made up their minds.

“When we go on the ground, they don’t say much. They don’t want to listen anymore. I think they are just waiting for the day,” Gerakan’s Chia had said a few days before polling.

They did suspect that the silence may not be good for them but, as always, politicians are hopeful about their chances.

There was a sense of denial on the Barisan side about interpreting the silent ground and some politicians did not like it when the media wrote about it.

Reporters on the ground had already sensed that the rumblings about a variety of national and local issues were developing into a wind of sorts.

The last time something like this had happened was in 1969 when the then Alliance state government fell to Gerakan, then an opposition party led by Tun Dr Lim Chong Eu.

There will be a lot of soul-searching ahead for Barisan leaders in the state.

They will have to seriously examine the causes of the Chinese vote swing and the shift of Malay votes.

~~~*~*~*~~~

Get the articles here & here

~みはる~
0

Malaysia Decides 2008

... and Rakyat Malaysia has spoken.

I had the privilege of following the most exciting national election in modern-Malaysian history last night.

  • Ruling coalition BN was denied 2/3 majority in Parliament.
  • All Western Peninsular Malaysia states (Penang, Perak, Selangor, Kedah) and Kelantan fell into the hands of Opposition. That translates to BN having a net loss of 4 states.
  • Ruling coalition's top guns defeated by fresh faces from Opposition, with stark vote majorities to boot. One of the component party's leadership was literally shattered by the defeat(s).

This political tsunami is a new era in Malaysian political history.
The Rakyat has unanimously spoken.
And their voices are heard; strong and clear.

Let us hope the Opposition cherish the trust the Rakyat had mandated them, and prove their meat.
Away with corruption.
Away with racism.
Away with good-for-nothing senators who slack while taxpayers' hard-earn benefits pump into their pockets (for residential renovations.....).
Away with NATO (No Action Talk Only) representatives whose only calibre is to make stupid statements that fuel national embarrassment.

Bring on efficiency.
Bring on transparency.
Bring on meritocracy and bureaucratic integrity.
Bring on economic and human development.
Bring on Bangsa Malaysia.

I'm looking to the day where Malaysians are no longer defined by race.
There's no Melayu, Cina, India, or Lain-lain. There's only Malaysian.

On a more local note, I'm looking forward to Lim Guan Eng giving Penang a major facelift. Penangites have been denied of development for too long.


Looks like I might consider going home after all.


The year 2008 unfolds a new era in our political history.
Malaysia has decided.

~みはる~

for election news, please visit Malaysiakini here or here.
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Harp recital

The lunchtime concert this week features a harp recital by two professional harpist; Yu-Hsin Huang and Gulnara Mashurova.

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The not-so-knowledgeable me didn't know harp could play solo. Rather, I didn't know harp can make such beautiful music. When both of them sat down and started plucking the strings, I was mesmerized by the sweet sounds of harp.

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They played on humongous harps like these.

I thoroughly enjoyed the relaxing sounds of harp as they waltzed through the repertoire:

  • JS Bach - Sixth French Suite
  • Enrique Granados - Spanish Dance No. 5
  • Isaac Albeniz - Cordova
  • Carlos Salzedo - Tango & Rhumba
  • Carloz Salzedo - Chanson Dans La Nuit
  • Bernard Andres - Parvis

I particularly loved Bach's Sixth French Suite. The Allemande movement was impressive and simply lovely.

After the wonderful performance, they kindly obliged to answer questions that the audience have. And there I learnt that professional harps like these have 47 strings made of nylon and metal, weigh about 88 pounds, have 7 foot pedals and requires tuning several times a day.

The next time I listen to an orchestra, I'll be sure to listen carefully for the beautiful sounds of harp.

~みはる~
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